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Allen Ginsberg Howl Deutsch Video

Howl (Live / 1/29/1959)

Allen Ginsberg Howl Deutsch Video

Allen Ginsberg Reading Howl (Part 1)

Allen Ginsberg Howl Deutsch - Inhaltsverzeichnis

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The trip deeply disturbed Ginsberg—he mentioned it and other moments from his childhood in "Kaddish". Ginsberg received a letter from his mother after her death responding to a copy of "Howl" he had sent her.

It admonished Ginsberg to be good and stay away from drugs; she says, "The key is in the window, the key is in the sunlight at the window—I have the key—Get married Allen don't take drugs—the key is in the bars, in the sunlight in the window".

The sunshine showed too, a key on the side of the window for me to get out. The yellow of the sunshine, also showed the key on the side of the window.

In Ginsberg's first year at Columbia he met fellow undergraduate Lucien Carr , who introduced him to a number of future Beat writers, including Jack Kerouac , William S.

Burroughs , and John Clellon Holmes. They bonded, because they saw in one another an excitement about the potential of American youth, a potential that existed outside the strict conformist confines of post—World War II, McCarthy -era America.

Carr also introduced Ginsberg to Neal Cassady , for whom Ginsberg had a long infatuation. This was a source of strain in their relationship.

Corso, recently released from prison, was supported by the Pony Stable patrons and was writing poetry there the night of their meeting.

Ginsberg claims he was immediately attracted to Corso, who was straight, but understanding of homosexuality after three years in prison.

Ginsberg was even more struck by reading Corso's poems, realizing Corso was "spiritually gifted. In their first meeting at the Pony Stable, Corso showed Ginsberg a poem about a woman who lived across the street from him and sunbathed naked in the window.

Amazingly, the woman happened to be Ginsberg's girlfriend that he was living with during one of his forays into heterosexuality.

Ginsberg took Corso over to their apartment. There the woman proposed sex with Corso, who was still very young and fled in fear.

Ginsberg introduced Corso to Kerouac and Burroughs and they began to travel together. Ginsberg and Corso remained lifelong friends and collaborators.

Shortly after this period in Ginsberg's life, he became romantically involved with Elise Nada Cowen after meeting her through Alex Greer, a philosophy professor at Barnard College whom she had dated for a while during the burgeoning Beat generation's period of development.

As Cowen had felt a strong attraction to darker poetry most of the time, Beat poetry seemed to provide an allure to what suggests a shadowy side of her persona.

While at Barnard, Cowen earned the nickname "Beat Alice" as she had joined a small group of anti-establishment artists and visionaries known to outsiders as beatniks, and one of her first acquaintances at the college was the beat poet Joyce Johnson who later portrayed Cowen in her books, including "Minor Characters" and Come and Join the Dance , which expressed the two women's experiences in the Barnard and Columbia Beat community.

Through his association with Elise Cowen, Ginsberg discovered that they shared a mutual friend, Carl Solomon, to whom he later dedicated his most famous poem "Howl".

This poem is considered an autobiography of Ginsberg up to , and a brief history of the Beat Generation through its references to his relationship to other Beat artists of that time.

In in an apartment in Harlem , Ginsberg had an auditory hallucination while reading the poetry of William Blake later referred to as his "Blake vision".

At first, Ginsberg claimed to have heard the voice of God but later interpreted the voice as that of Blake himself reading Ah!

Ginsberg believed that he had witnessed the interconnectedness of the universe. He looked at latticework on the fire escape and realized some hand had crafted that; he then looked at the sky and intuited that some hand had crafted that also, or rather, that the sky was the hand that crafted itself.

He explained that this hallucination was not inspired by drug use but said he sought to recapture that feeling later with various drugs.

Or that God was in front of my eyes—existence itself was God", and "And it was a sudden awakening into a totally deeper real universe than I'd been existing in.

Ginsberg moved to San Francisco during the s. In , in San Francisco, Ginsberg met Peter Orlovsky — , with whom he fell in love and who remained his lifelong partner.

Winans , and William Margolis, Ginsberg was one of the founders of the Beatitude poetry magazine. Wally Hedrick —a painter and co-founder of the Six Gallery—approached Ginsberg in mid and asked him to organize a poetry reading at the Six Gallery.

At first, Ginsberg refused, but once he had written a rough draft of "Howl", he changed his "fucking mind", as he put it.

One of the most important events in Beat mythos, known simply as "The Six Gallery reading " took place on October 7, Of more personal significance to Ginsberg, the reading that night included the first public presentation of "Howl", a poem that brought worldwide fame to Ginsberg and to many of the poets associated with him.

An account of that night can be found in Kerouac's novel The Dharma Bums , describing how change was collected from audience members to buy jugs of wine, and Ginsberg reading passionately, drunken, with arms outstretched.

Shortly after its publication by San Francisco's City Lights Bookstore , it was banned for obscenity. Horn declared the poem to possess redeeming artistic value.

Ginsberg claimed at one point that all of his work was an extended biography like Kerouac's Duluoz Legend. Ginsberg also later claimed that at the core of "Howl" were his unresolved emotions about his schizophrenic mother.

Though "Kaddish" deals more explicitly with his mother, "Howl" in many ways is driven by the same emotions. He begins the poem with "I saw the best minds of my generation destroyed by madness", which sets the stage for Ginsberg to describe Cassady and Solomon, immortalizing them into American literature.

In the poem, Ginsberg focused on "Carl Solomon! I'm with you in Rockland", and, thus, turned Solomon into an archetypal figure searching for freedom from his "straightjacket".

Though references in most of his poetry reveal much about his biography, his relationship to other members of the Beat Generation, and his own political views, "Howl", his most famous poem, is still perhaps the best place to start.

In , Ginsberg surprised the literary world by abandoning San Francisco. They were soon joined by Burroughs and others. It was a productive, creative time for all of them.

This period was documented by the photographer Harold Chapman , who moved in at about the same time, and took pictures constantly of the residents of the "hotel" until it closed in During —, Ginsberg and Orlovsky travelled extensively across India, living half a year at a time in Calcutta now Kolkata and Benares Varanasi.

Also during this time, he formed friendships with some of the prominent young Bengali poets of the time including Shakti Chattopadhyay and Sunil Gangopadhyay.

Ginsberg had several political connections in India; most notably Pupul Jayakar who helped him extend his stay in India when the authorities were eager to expel him.

In May , Ginsberg arrived in London, and offered to read anywhere for free. Soon after the bookshop reading, plans were hatched for the International Poetry Incarnation , [48] which was held at the Royal Albert Hall in London on June 11, The event was organized by Ginsberg's friend, the filmmaker Barbara Rubin.

Peter Whitehead documented the event on film and released it as Wholly Communion. A book featuring images from the film and some of the poems that were performed was also published under the same title by Lorrimer in the UK and Grove Press in US.

Though the term "Beat" is most accurately applied to Ginsberg and his closest friends Corso, Orlovsky, Kerouac, Burroughs, etc. A key feature of this term seems to be a friendship with Ginsberg.

Friendship with Kerouac or Burroughs might also apply, but both writers later strove to disassociate themselves from the name "Beat Generation.

Ginsberg never claimed to be the leader of a movement. He claimed that many of the writers with whom he had become friends in this period shared many of the same intentions and themes.

LeRoi Jones before he became Amiri Baraka , who, after reading "Howl", wrote a letter to Ginsberg on a sheet of toilet paper. Later in his life, Ginsberg formed a bridge between the beat movement of the s and the hippies of the s, befriending, among others, Timothy Leary , Ken Kesey , Hunter S.

Thompson , and Bob Dylan. Ginsberg gave his last public reading at Booksmith , a bookstore in the Haight-Ashbury neighborhood of San Francisco, a few months before his death.

Ginsberg's spiritual journey began early on with his spontaneous visions, and continued with an early trip to India with Gary Snyder.

After returning to the United States, a chance encounter on a New York City street with Chögyam Trungpa Rinpoche they both tried to catch the same cab , [55] a Kagyu and Nyingma Tibetan Buddhist master, led to Trungpa becoming his friend and lifelong teacher.

Ginsberg was also involved with Krishnaism. He had started incorporating chanting the Hare Krishna mantra into his religious practice in the mids.

After learning that A. Bhaktivedanta Swami Prabhupada , the founder of the Hare Krishna movement in the Western world had rented a store front in New York, he befriended him, visiting him often and suggesting publishers for his books, and a fruitful relationship began.

This relationship is documented by Satsvarupa dasa Goswami in his biographical account Srila Prabhupada Lilamrta.

Ginsberg donated money, materials, and his reputation to help the Swami establish the first temple, and toured with him to promote his cause.

Despite disagreeing with many of Bhaktivedanta Swami's required prohibitions , Ginsberg often sang the Hare Krishna mantra publicly as part of his philosophy [58] and declared that it brought a state of ecstasy.

Along with other counterculture ideologists like Timothy Leary, Gary Snyder , and Alan Watts , Ginsberg hoped to incorporate Bhaktivedanta Swami and his chanting into the hippie movement, and agreed to take part in the Mantra-Rock Dance concert and to introduce the swami to the Haight-Ashbury hippie community.

On January 17, , Ginsberg helped plan and organize a reception for Bhaktivedanta Swami at San Francisco International Airport , where fifty to a hundred hippies greeted the Swami, chanting Hare Krishna in the airport lounge with flowers in hands.

Ginsberg introduced Bhaktivedanta Swami to some three thousand hippies in the audience and led the chanting of the Hare Krishna mantra.

Music and chanting were both important parts of Ginsberg's live delivery during poetry readings. It is believed that the Hindi and Buddhist poet Nagarjun had introduced Ginsberg to the harmonium in Banaras.

According to Malay Roy Choudhury , Ginsberg refined his practice while learning from his relatives, including his cousin Savitri Banerjee.

Buckley, Jr. According to Richard Brookhiser , an associate of Buckley's, the host commented that it was "the most unharried Krishna I've ever heard.

Ginsberg further brought mantras into the world of rock and roll when he recited the Heart Sutra in the song " Ghetto Defendant ".

Ginsberg came in touch with the Hungryalist poets of Bengal , especially Malay Roy Choudhury, who introduced Ginsberg to the three fishes with one head of Indian emperor Jalaluddin Mohammad Akbar.

The three fishes symbolised coexistence of all thought, philosophy and religion. In spite of Ginsberg's attraction to Eastern religions, the journalist Jane Kramer argues that he, like Whitman, adhered to an "American brand of mysticism" that was "rooted in humanism and in a romantic and visionary ideal of harmony among men.

In , he was treated for a tropical disease, and it is speculated that he contracted hepatitis from an unsterilized needle administered by a doctor, which played a role in his death 37 years later.

In the s, Ginsberg suffered two minor strokes which were first diagnosed as Bell's palsy , which gave him significant paralysis and stroke-like drooping of the muscles in one side of his face.

Later in life, he also suffered constant minor ailments such as high blood pressure. Many of these symptoms were related to stress, but he never slowed down his schedule.

Ginsberg continued to help his friends as much as he could: he gave money to Herbert Huncke out of his own pocket, regularly supplied neighbor Arthur Russell with an extension cord to power his home recording setup, [73] [74] and housed a broke, drug-addicted Harry Smith.

After returning home from the hospital for the last time, where he had been unsuccessfully treated for congestive heart failure , Ginsberg continued making phone calls to say goodbye to nearly everyone in his address book.

Some of the phone calls, including one with Johnny Depp , were sad and interrupted by crying, and others were joyous and optimistic.

He died on April 5, , surrounded by family and friends in his East Village loft in New York City, succumbing to liver cancer via complications of hepatitis.

He was 70 years old. In , various writers, including Catfish McDaris read at a gathering at Ginsberg's farm to honor Allen and the beatniks.

Good Will Hunting released in December was dedicated to Ginsberg, as well as Burroughs, who died four months later. Ginsberg's willingness to talk about taboo subjects made him a controversial figure during the conservative s, and a significant figure in the s.

In the mids, no reputable publishing company would even consider publishing "Howl". At the time, such "sex talk" employed in "Howl" was considered by some to be vulgar or even a form of pornography, and could be prosecuted under law.

Numerous books that discussed sex were banned at the time, including Lady Chatterley's Lover. Instead, Ginsberg portrayed casual sex.

Ginsberg used gritty descriptions and explicit sexual language, pointing out the man "who lounged hungry and lonesome through Houston seeking jazz or sex or soup.

The explicit sexual language that filled "Howl" eventually led to an important trial on First Amendment issues.

Ginsberg's publisher was brought up on charges for publishing pornography, and the outcome led to a judge going on record dismissing charges, because the poem carried "redeeming social importance", [82] thus setting an important legal precedent.

Ginsberg continued to broach controversial subjects throughout the s, s, and s. When explaining how he approached controversial topics, he often pointed to Herbert Huncke : he said that when he first got to know Huncke in the s, Ginsberg saw that he was sick from his heroin addiction, but at the time heroin was a taboo subject and Huncke was left with nowhere to go for help.

Ginsberg talked openly about his connections with communism and his admiration for past communist heroes and the labor movement at a time when the Red Scare and McCarthyism were still raging.

He admired Fidel Castro and many other Marxist figures from the 20th century. Biographer Jonah Raskin has claimed that, despite his often stark opposition to communist orthodoxy, Ginsberg held "his own idiosyncratic version of communism".

I must say that I see little difference between the armed and violent governments both Communist and Capitalist that I have observed".

Ginsberg travelled to several communist countries to promote free speech. He claimed that communist countries, such as China, welcomed him, because they thought he was an enemy of capitalism, but often turned against him when they saw him as a troublemaker.

For example, in Ginsberg was deported from Cuba for publicly protesting the persecution of homosexuals. Ginsberg was then deported from Czechoslovakia on May 7, [93] [95] by order of the StB.

One contribution that is often considered his most significant and most controversial was his openness about homosexuality. Ginsberg was an early proponent of freedom for gay people.

In , he discovered within himself "mountains of homosexuality. Subsequent gay writers saw his frank talk about homosexuality as an opening to speak more openly and honestly about something often before only hinted at or spoken of in metaphor.

In writing about sexuality in graphic detail and in his frequent use of language seen as indecent, he challenged—and ultimately changed—obscenity laws.

He was a staunch supporter of others whose expression challenged obscenity laws William S. Burroughs and Lenny Bruce , for example. Ginsberg talked often about drug use.

Ginsberg worked closely with Alfred W. In Ginsberg received a note from the chief editor of The New York Times , apologizing for not taking his allegations seriously so many years previous.

The United States Department of State responded to McCoy's initial allegations stating that they were "unable to find any evidence to substantiate them, much less proof.

Most of Ginsberg's very early poetry was written in formal rhyme and meter like that of his father, and of his idol William Blake.

His admiration for the writing of Jack Kerouac inspired him to take poetry more seriously. In , upon the advice of a psychiatrist, Ginsberg dropped out of the working world to devote his entire life to poetry.

Later in life, Ginsberg entered academia, teaching poetry as Distinguished Professor of English at Brooklyn College from until his death.

Ginsberg claimed throughout his life that his biggest inspiration was Kerouac's concept of " spontaneous prose ".

He believed literature should come from the soul without conscious restrictions. Ginsberg was much more prone to revise than Kerouac.

For example, when Kerouac saw the first draft of "Howl" he disliked the fact that Ginsberg had made editorial changes in pencil transposing "negro" and "angry" in the first line, for example.

Kerouac only wrote out his concepts of Spontaneous Prose at Ginsberg's insistence because Ginsberg wanted to learn how to apply the technique to his poetry.

Solomon was a Dada and Surrealism enthusiast he introduced Ginsberg to Artaud who suffered bouts of clinical depression.

Solomon wanted to commit suicide, but he thought a form of suicide appropriate to dadaism would be to go to a mental institution and demand a lobotomy.

The institution refused, giving him many forms of therapy , including electroshock therapy. Much of the final section of the first part of "Howl" is a description of this.

Ginsberg used Solomon as an example of all those ground down by the machine of " Moloch ". Moloch, to whom the second section is addressed, is a Levantine god to whom children were sacrificed.

Moloch is mentioned a few times in the Torah and references to Ginsberg's Jewish background are frequent in his work. Ginsberg said the image of Moloch was inspired by peyote visions he had of the Francis Drake Hotel in San Francisco which appeared to him as a skull; he took it as a symbol of the city not specifically San Francisco, but all cities.

Ginsberg later acknowledged in various publications and interviews that behind the visions of the Francis Drake Hotel were memories of the Moloch of Fritz Lang 's film Metropolis and of the woodcut novels of Lynd Ward.

He also made sure to emphasize that Moloch is a part of humanity in multiple aspects, in that the decision to defy socially created systems of control—and therefore go against Moloch—is a form of self-destruction.

Many of the characters Ginsberg references in "Howl", such as Neal Cassady and Herbert Huncke, destroyed themselves through excessive substance abuse or a generally wild lifestyle.

The personal aspects of "Howl" are perhaps as important as the political aspects. Carl Solomon, the prime example of a "best mind" destroyed by defying society, is associated with Ginsberg's schizophrenic mother: the line "with mother finally fucked" comes after a long section about Carl Solomon, and in Part III, Ginsberg says: "I'm with you in Rockland where you imitate the shade of my mother.

He dealt with it directly with 's "Kaddish", [21] which had its first public reading at a Catholic Worker Friday Night meeting, possibly due to its associations with Thomas Merton.

Ginsberg's poetry was strongly influenced by Modernism most importantly the American style of Modernism pioneered by William Carlos Williams , Romanticism specifically William Blake and John Keats , the beat and cadence of jazz specifically that of bop musicians such as Charlie Parker , and his Kagyu Buddhist practice and Jewish background.

The power of Ginsberg's verse, its searching, probing focus, its long and lilting lines, as well as its New World exuberance, all echo the continuity of inspiration that he claimed.

He corresponded with William Carlos Williams , who was then in the middle of writing his epic poem Paterson about the industrial city near his home.

After attending a reading by Williams, Ginsberg sent the older poet several of his poems and wrote an introductory letter.

Most of these early poems were rhymed and metered and included archaic pronouns like "thee. Though he disliked these early poems, Williams loved the exuberance in Ginsberg's letter.

He included the letter in a later part of Paterson. He encouraged Ginsberg not to emulate the old masters, but to speak with his own voice and the voice of the common American.

From Williams, Ginsberg learned to focus on strong visual images, in line with Williams' own motto "No ideas but in things.

Ginsberg claimed that the anaphoric repetition of "Howl" and other poems was inspired by Christopher Smart in such poems as Jubilate Agno.

Ginsberg used this technique in his poetry, putting together two starkly dissimilar images: something weak with something strong, an artifact of high culture with an artifact of low culture, something holy with something unholy.

The example Ginsberg most often used was "hydrogen jukebox" which later became the title of a song cycle composed by Philip Glass with lyrics drawn from Ginsberg's poems.

Another example is Ginsberg's observation on Bob Dylan during Dylan's hectic and intense electric-guitar tour, fuelled by a cocktail of amphetamines, [] opiates, [] alcohol, [] and psychedelics, [] as a Dexedrine Clown.

Allen Ginsberg also found inspiration in music. He frequently included music in his poetry, invariably composing his tunes on an old Indian harmonium, which he often played during his readings.

He also recorded a handful of other albums. From the study of his idols and mentors and the inspiration of his friends—not to mention his own experiments—Ginsberg developed an individualistic style that's easily identified as Ginsbergian.

Many of Ginsberg's early long line experiments contain some sort of anaphora , repetition of a "fixed base" for example "who" in "Howl", "America" in America and this has become a recognizable feature of Ginsberg's style.

Several of his earlier experiments with methods for formatting poems as a whole became regular aspects of his style in later poems.

In the original draft of "Howl", each line is in a "stepped triadic" format reminiscent of William Carlos Williams.

In America , he also experimented with a mix of longer and shorter lines. In "Howl" and in his other poetry, Ginsberg drew inspiration from the epic , free verse style of the 19th-century American poet Walt Whitman.

McClatchy , editor of the Yale Review , called Ginsberg "the best-known American poet of his generation, as much a social force as a literary phenomenon.

His work is finally a history of our era's psyche, with all its contradictory urges. His collection The Fall of America shared the annual U.

National Book Award for Poetry in From Wikipedia, the free encyclopedia. Redirected from Ginsbergian. American poet. See also: A.

See also: Allegations of CIA drug trafficking. National Book Award for Poetry en Este crimen y sus secuelas familiares trastocaron para siempre las vidas de todos los implicados.

Otras influencias fue la del poeta estadounidense William Carlos Williams. Muchos de sus poemas son extremadamente sinceros y directos.

En Many Loves Muchos amores , describe su primer contacto sexual con Neal Cassady , que fue su amante y amigo. Su principal obra es el poema Aullido Howl , muy conocido por su frase de apertura:.

Viva la marihuana! Ginsberg fue uno de los primeros defensores de la libertad para las personas homosexuales. Burroughs y Lenny Bruce , por ejemplo.

Yo estaba muy emocionada. Tomo esto de lo que Allen me dijo directamente, no de alguna inferencia que hice.

Burroughs Ben Foster. De Wikipedia, la enciclopedia libre. Archivado desde el original el 27 de diciembre de

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