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Delta of venus

Delta Of Venus Ultimi album di Anais Nin

Das Delta der Venus ist der Titel eines erotischen Prosabandes von Anaïs Nin. Das Buch, dessen Titel eine Anspielung auf die Dreiecksform der weiblichen Scham ist, enthält 15 Kurzgeschichten, in denen es um Sex, Lust und Leidenschaft geht. Delta of Venus | Nin, Anaïs | ISBN: | Kostenloser Versand für alle Bücher mit Versand und Verkauf duch Amazon. Delta of Venus [dt./OV]. (3)1h 37min Der Zweite Weltkrieg steht kurz bevor, doch in den Pariser Cafés schertman sich nicht um die bedrohlichen. Das Delta der Venus ist der Titel eines erotischen Prosabandes von Anaïs Nin. Das Buch, dessen Titel eine Anspielung auf die Dreiecksform der weiblichen. An extraordinarily rich and exotic collection from the mistress of erotic writing In Delta of Venus, Anais Nin pens a lush, magical world where.

delta of venus

Riproduci i brani interamente da Delta Of Venus di Anais Nin sul tuo cellulare, computer o sistema audio di casa con Napster. Das Delta der Venus ist der Titel eines erotischen Prosabandes von Anaïs Nin. Das Buch, dessen Titel eine Anspielung auf die Dreiecksform der weiblichen Scham ist, enthält 15 Kurzgeschichten, in denen es um Sex, Lust und Leidenschaft geht. Das Delta der Venus ist der Titel eines erotischen Prosabandes von Anaïs Nin. Das Buch, dessen Titel eine Anspielung auf die Dreiecksform der weiblichen. Nin widerstrebten diese Vorgaben, die sie erfüllen musste. Sprache Englisch. Slight wear to top and bottom of spine. Sucheinstellungen Suchtipps. Click Informationen zu diesem Verkäufer Verkäufer kontaktieren 3. This web page oder Vorsatz können fehlen. Einband bzw. Good condition is defined as: a copy that has been read but remains in clean condition. Second go here. Jacket now under mylar protection. Item added to your basket View basket. Seller Inventory B Weitere Informationen zu diesem Verkäufer Verkäufer kontaktieren 6. The book may have minor markings learn more here are not specifically mentioned.

When he needed money he married a rich woman, plundered her and left for another country. Most of the time the women did not rebel or complain to the police.

The few weeks or months they had enjoyed him as a husband left a sensation that was stronger than the shock of losing their money. For a moment they had known what it was to live with strong wings, to fly above the heads of mediocrity.

He took them so high, whirled them so fast in his series of enchantments, that his departure still had something of the flight.

It seemed almost natural-no partner could follow his great eagle sweeps. The free, uncapturable adventurer, jumping thus from one golden branch to another, almost fell into a trap, a trap of human love, when one night he met the Brazilian dancer Anita at a Peruvian theatre.

Her elongated eyes did not close as other women's eyes did, but like the eyes of tigers, pumas and leopards, the two lids meeting lazily and slowly; and they seemed slightly sewn together towards the nose, making them narrow, with a lascivious, oblique glance falling from them like the glance of a woman who does not want to see what is being done to her body.

All this gave her an air of being made love to, which aroused the Baron as soon as he met her. When he went backstage to see her, she was dressing among a profusion of flowers; and for the delight of her admirers who sat around her, she was rouging her sex with her lipstick without permitting them to make a single gesture towards her.

When the Baron came in she merely lifted her head and smiled at him. She had one foot on a little table, her elaborate Brazilian dress was lifted, and with her jeweled hands she took up rouging her sex again, laughing at the excitement of the men around her.

Her sex was like a giant hothouse flower, larger than any the Baron had seen, and the hair around it abundant and curled, glossy black.

It was these lips that she rouged as if they were a mouth, very elaborately so that they became like blood-red camellias, opened by force, showing the closed interior bud, a paler, fine-skinned core of the flower.

The Baron could not persuade her to have supper with him. Her appearance onstage was only the prelude to her work at the theatre.

Now followed the performance for which she was famed all through South America, when the boxes in the theatre, deep, dark and half-curtained, filled with society men from all over the world.

Women were not brought to this high-class burlesque. She had dressed herself all over again in the full petticoated costume she wore onstage for her Brazilian songs, but she wore no shawl.

Her dress was strapless, and her rich, abundant breasts, compressed by the tight-waisted costume, bulged upwards, offering themselves almost in their entirety to the eye.

In this costume, while the rest of the show continued, she made her round of the boxes. There, on request, she knelt before a man, unbuttoned his pants, took his penis in her jeweled hands, and with a neatness of touch, an expertness, a subtlety few women had ever developed, sucked at it until he was satisfied.

Her two hands were as active as her mouth. The titillation almost deprived each man of his senses. The elasticity of her hands; the variety of rhythms; the change from a hand grip of the entire penis to the lightest touch of the tip of it, from firm kneading of all the parts to the lightest teasing of the hair around it-all this by an exceptionally beautiful and voluptuous woman while the attention of the public was turned towards the stage.

Seeing the penis go into her magnificent mouth between her flashing teeth, while her breasts heaved, gave men a pleasure for which they paid generously.

Her presence on the stage prepared them for her appearance in the boxes. She provoked them with her mouth, her eyes, her breasts. And to have their satisfaction, along with music and lights and singing in a dark, half-curtained box above the audience, was an exceptionally piquant form of amusement.

The Baron almost fell in love with Anita and stayed with her for a longer time than with any woman.

She fell in love with him and bore him two children. The habit was too strong; the habit of freedom and change.

He traveled to Rome and took a suite at the Grand Hotel. The suite happened to be next to that of the Spanish Ambassador, who was staying there with his wife and two small daughters.

The Baron charmed them, too. The Ambassador's wife admired him. They became so friendly and he was so delightful with the children, who did not know how to amuse themselves in this hotel, that soon it became a habit of the two little girls, upon getting up in the morning, to go and visit the Baron and awaken him with laughter and teasing, which they were not permitted to lavish upon their more solemn father and mother.

One little girl was about ten, the other twelve. They were both beautiful, with huge velvet-black eyes, long silky hair and golden skin.

They wore short white dresses and short white socks. Shrieking, the two little girls would run into the Baron's room and playfully throw themselves over his big bed.

He would tease them, fondle them. Now the Baron, like many men, always awakened with a peculiarly sensitive condition of the penis.

In fact, he was in a most vulnerable state. He had no time to rise and calm the condition by urinating.

Before he could do this the two little girls had run across the shining floor and thrown themselves over him, and over his prominent penis, which the big pale blue quilt somewhat concealed.

The little girls did not mind how their skirts flew upward and their slender dancer's legs got tangled and fell over his penis lying straight in the quilt.

Laughing, they turned over on him, sat on him, treated him like a horse, sat astride him and pushed down on him, urging him to swing the bed by a motion of his body.

With all this, they would kiss him, pull at his hair, and have childish conversations. The Baron's delight in being so treated would grow into excruciating suspense.

One of the girls was lying on her stomach, and all he had to do was to move a little against her to reach his pleasure. So he did this playfully, as if he meant to finally push her off the bed.

He said, "I am sure you will fall off if I push this way. Laughing, he pushed her body up, but she lay close to him, her little legs, her little panties, everything, rubbing against him in her effort not to slide off, and he continued his antics while they laughed.

Then the second girl, wishing to even the strength of the game, sat astride him in front of the other one, and now he could move even more wildly with the weight of both on him.

His penis, hidden in the thick quilt, rose over and over again between the little legs, and it was like this that he came, with a strength he had rarely known, surrendering the battle, which the girls had won in a manner they never suspected.

Another time when they came to play with him he put his hands under the quilt. Then he raised the quilt with his forefinger and dared them to catch it.

So with great eagerness, they began to chase the finger, which disappeared and reappeared in different parts of the bed, catching it firmly in their hands.

After a moment it was not the finger but the penis they caught over and over again, and seeking to extricate it, he made them grasp it more strongly than ever.

He would disappear under the covers completely, and taking his penis in his hand suddenly thrust it upward for them to catch. He pretended to be an animal, sought to catch and bite them, sometimes quite near where he wanted to, and they took great delight in this.

With the "animal" they also played hide-and-seek. The "animal" was to spring at them from some hidden corner. He hid in the closet on the floor and covered himself with clothes.

One of the little girls opened the closet. He could see under her dress; he caught her and bit her playfully on the thighs. So heated were the games, so great were the confusion of the battle and the abandon of the little girls at play, that very often his hand went everywhere he wanted it to go.

It seemed as though the strength of his desire for women was no longer under control. He was eager to rid himself of his wives, so as to pursue his search for sensation throughout the world.

One day he heard that the Brazilian dancer he had loved had died of an overdose of opium. Their two daughters were grown to the ages of fifteen and sixteen and wanted their father to take care of them.

He sent for them. He was then living in New York with a wife by whom he had had a son. The woman was not happy at the thought of his daughters' arrival.

She was jealous for her son, who was only fourteen. After all his expeditions, the Baron now wanted a home and a rest from difficulties and pretenses.

He had a woman he rather liked and three children. The idea of meeting his daughters again interested him. He received them with great demonstrations of affection.

One was beautiful, the other, less so but piquant. They had been brought up to witness their mother's life and were not restrained or prudish.

The beauty of their father impressed them. He, on the other hand, was reminded of his games with the two little girls in Rome, only his daughters were a little older, and it added a great attraction to the situation.

They were given a large bed for themselves, and later, when they were still talking of their voyage and of meeting their father again, he came into the room to bid them goodnight.

He stretched out at their side and kissed them. They returned his kisses. Despite being told to leave poetic language aside and concentrate on graphic, sexually explicit scenarios, Nin was able to give these stories a literary flourish and a layer of images and ideas beyond the pornographic.

In her Diary Oct. While using the Kama Sutra and other writings such as those of Krafft-Ebing as models, Nin was very conscious that the languages of male and female sexuality were distinct.

The book, unlike the later Little Birds , contains no poetry as such. Its introductory preface contains entries from her Diary , which expressed her hope that its unexpurgated version would one day be published.

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Use the HTML below. You must be a registered user to use the IMDb rating plugin. Edit Cast Cast overview, first billed only: Audie England Ariel Bernard Zette Donald as Zette Marek Vasut Harry Dale Wyatt Landlady James Donahower Learn more More Like This.

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