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Margot stilley

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Margo Stilley ist eine US-amerikanische Schauspielerin und ehemaliges Model. Margo Stilley (* November in Bear Creek, North Carolina) ist eine US-​amerikanische Schauspielerin und ehemaliges Model. Interview, Porträt, Filmografie, Bilder und Videos zum Star Margot Stilley | cinema​.de. Perfekte Margo Stilley Stock-Fotos und -Bilder sowie aktuelle Editorial-​Aufnahmen von Getty Images. Download hochwertiger Bilder, die man nirgendwo sonst. Perfekte Margot Stilley Stock-Fotos und -Bilder sowie aktuelle Editorial-​Aufnahmen von Getty Images. Download hochwertiger Bilder, die man nirgendwo sonst.

margot stilley

Das war hart und v.a der Kommentar der Hauptdarstellerin, Margo Stilley, auf die Frage, ob sie den Film nicht zu freizügig fände und ob die sog. Handlung nicht. Margo Stilley ist eine US-amerikanische Schauspielerin und ehemaliges Model. Prime-Mitglieder genießen Zugang zu gratis Premiumversand, tausenden Filmen und Serienepisoden mit Prime Video, über einer Million Songs mit Prime.

You'd think I invented sex! I got told I was a whore and a slut and how could I do it. And what kind of role model did I think I was giving young women?

When you have been brought up as a religious person, when it has been part of your everyday life, you feel lost without it.

It's as though I couldn't continue without religion in my life. At 20, I auditioned with the director Michael Winterbottom for the lead in his controversial and sexually explicit film 9 Songs I wanted people to question their own moral identities as I had.

I wanted the audience to ask themselves, "Why don't I like this? Why would anyone ban such a thing?

It's ridiculous. View agent, publicist, legal and company contact details on IMDbPro. Edit page.

And I didn't like that. And in the sexually explicit films I've seen like Ai No Corrida [the Japanese classic in which the heroine cuts off her partner's penis], they're crazy, people don't do that, it's not normal!

It's an impressive speech, all the more so because Stilley had never acted or made a film before, and did not know what this one involved when she was sent along by a casting agency where she had registered as an extra.

But it turns out that her views on the misleading depiction of sex stem from her experience as a teenager in America.

So I wanted to be part of a film, a beautiful film, about something that should be viewed in a beautiful light.

This is a nice thing, it's fun, everyone does it, it's great and when it's safe - and we're promoting safe sex - and when it's someone you're in love with, it's great.

Of course, lest we forget, she also wanted to be an actress and, as she readily concedes, this opportunity was a short cut to the big screen for someone with no experience.

In truth, 9 Songs is unlikely to thrill Sun readers and hot-dog eaters. Rather, it's one for the Sight and Sound and flapjack crowd.

Directed by Michael Winterbottom , who has made such splendid and disparate films as In This World and Wonderland, not to mention the underrated 24 Hour Party People, it's a self-conscious attempt to film the act of sex in a naturalistic fashion, without exploitation or heightened drama.

The fact that it largely succeeds in these aims also accounts for its failure as a piece of erotic cinema. Critics tend to get their knickers in a twist when it comes to being sexually excited in a cinema - it's seen as somehow pornographic.

And a number of critics have praised 9 Songs precisely because it did not arouse them. This also seems to be the reason why it was passed uncut by the British film censor, because though graphic, it was deemed not to be pornographic: ie not likely to excite its audience.

But if not for sexual enjoyment, why else would you want to watch two people going at it? In recent years there has been an attempt by a number of art-house directors, particularly in France, to deal with sex in a less decorous and more open fashion.

Starring Mark Rylance and Kerry Fox, it was a stark, drab film which was most notable for featuring the first mainstream blow job.

But for all its kitchen-sink couplings, Intimacy was not a film that was primarily concerned with showing sex. Originally, Winterbottom was inspired to make an explicit sex film after reading Michel Houellebecq's Platform.

Indeed, he approached Houellebecq with the idea of an adaptation of the book. An exploration of sex tourism and the breakdown in sexual relations between Western men and women, Platform is decidedly a work in which the sex, while described with straightforward candour, means something more than the act itself.

But Winterbottom has taken Houellebecq's matter-of-fact style and dropped everything else. We see the young couple take cocaine, use a vibrator and visit a strip club which, let's face it, are hardly uncommon pastimes , and these incidents are filmed with an admirable absence of moral judgment.

Alas there is also an absence of texture or tension. The fact is the most interesting aspect of the sex in 9 Songs is that it involves an experienced actor, Kieran O'Brien, and a bright young woman who in normal circumstances would not be filmed copulating.

Stilley is reluctant to discuss what took place on set. She says that to shed any light on the process would undermine the audience's belief in Lisa, the woman she plays.

Frankly, this would be difficult, because there is barely any flesh on the character of Lisa, or rather any character on the bare flesh.

As O'Brien's character says at the beginning of the film: 'When I remember Lisa, I don't think about her clothes, or her work, where she was from, or even what she said.

The film may be art-house cinema at its most uncompromising, but it does share certain similarities with hardcore porn, namely its limited script - the dialogue is mostly panting and grunting - and its rudimentary plot: an English glaciologist and an American student meet at a gig, have sex, go to another gig, have more sex, go to another gig, and so on, for nine gigs, until they break up.

In contrast to the posturings of pornography, the sex here seems to stem from a recognisable physical attraction.

Yet as there is little emotional involvement for the audience, the viewer is placed in the position of voyeur. And as the characters do not loom large in our thoughts, our thoughts easily turn to the people playing them.

Are they just 'acting' or is there a genuine connection, is the sex not only unsimulated, but actually stimulating? This is an intriguing idea, that a film about two people having passionate sex would have gone awry if the actors had felt passionate about one another while having sex.

Here, presumably, is where the acting comes in, and it is method acting at its most visible.

She has never publicized her charitable contributions. In Stilley signed on to play Lady Furness in Madonna's film WE , but renounced the role because of artistic differences.

Stilley lived in Mayfair , London [10] until She currently resides in Los Angeles. Stilley officially converted to Judaism in "because of its strong sense of family and of history, and its belief that humans were formed in the image of God and are inherently divine".

She was then commissioned by Esquire to write a series of articles based on her life. One is about a band of gypsies she came across and befriended, who breed white lions in Hannover , Germany.

From Wikipedia, the free encyclopedia. Margo Stilley. The Telegraph. Margo Stilley's Site.

Margot Stilley Video

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But if not for sexual enjoyment, why else would you want to watch two people going at it? In recent years there has been an attempt by a number of art-house directors, particularly in France, to deal with sex in a less decorous and more open fashion.

Starring Mark Rylance and Kerry Fox, it was a stark, drab film which was most notable for featuring the first mainstream blow job.

But for all its kitchen-sink couplings, Intimacy was not a film that was primarily concerned with showing sex. Originally, Winterbottom was inspired to make an explicit sex film after reading Michel Houellebecq's Platform.

Indeed, he approached Houellebecq with the idea of an adaptation of the book. An exploration of sex tourism and the breakdown in sexual relations between Western men and women, Platform is decidedly a work in which the sex, while described with straightforward candour, means something more than the act itself.

But Winterbottom has taken Houellebecq's matter-of-fact style and dropped everything else. We see the young couple take cocaine, use a vibrator and visit a strip club which, let's face it, are hardly uncommon pastimes , and these incidents are filmed with an admirable absence of moral judgment.

Alas there is also an absence of texture or tension. The fact is the most interesting aspect of the sex in 9 Songs is that it involves an experienced actor, Kieran O'Brien, and a bright young woman who in normal circumstances would not be filmed copulating.

Stilley is reluctant to discuss what took place on set. She says that to shed any light on the process would undermine the audience's belief in Lisa, the woman she plays.

Frankly, this would be difficult, because there is barely any flesh on the character of Lisa, or rather any character on the bare flesh.

As O'Brien's character says at the beginning of the film: 'When I remember Lisa, I don't think about her clothes, or her work, where she was from, or even what she said.

The film may be art-house cinema at its most uncompromising, but it does share certain similarities with hardcore porn, namely its limited script - the dialogue is mostly panting and grunting - and its rudimentary plot: an English glaciologist and an American student meet at a gig, have sex, go to another gig, have more sex, go to another gig, and so on, for nine gigs, until they break up.

In contrast to the posturings of pornography, the sex here seems to stem from a recognisable physical attraction.

Yet as there is little emotional involvement for the audience, the viewer is placed in the position of voyeur.

And as the characters do not loom large in our thoughts, our thoughts easily turn to the people playing them. Are they just 'acting' or is there a genuine connection, is the sex not only unsimulated, but actually stimulating?

This is an intriguing idea, that a film about two people having passionate sex would have gone awry if the actors had felt passionate about one another while having sex.

Here, presumably, is where the acting comes in, and it is method acting at its most visible. After all, you can't pretend an erection or an ejaculation.

They are physiological realities, both of them achieved, with considerable help from Stilley, by O'Brien on screen. In this sense, at least, on screen as off, there is more latitude for acting in the female sexual performance.

As to whether Stilley, in the interests of authenticity, also reached an orgasm, she says: 'It was not a sexual experience.

The entire film was not a sexual experience for me, in terms of emotions or being aroused. Both actors have been intent on distancing themselves from each other, in terms of attraction.

On set she was the only woman with a crew of four lads. I know how difficult it was for her. You can't get away from the fact she's a young girl.

Stilley counters the suggestion that the shoot was in any way problematic for her. It was very easy because this was the basis of our film so we knew this is what we were going to do, so I was prepared when I came in.

I can't speak for anyone else involved. Whatever took place on set, O'Brien is right on one score: Stilley is young.

She was 21 when she made the film, an age when it's easy to make mistakes. Even Kerry Fox, an actress with enormous experience, seemed to regret her part in Intimacy, or at least the effect on her career, despite the fact that she won a Silver Bear award at the Berlin Film Festival.

She described the aftermath of the film as the 'worst two years' because the film 'made people even more frightened of working with me than they had been before'.

But Stilley herself is at pains to point out that she was not placed under any pressure at all by Winterbottom, and retained a veto throughout on scenes she did not feel comfortable with.

All the same, the nature of the sex was determined by the director. He was specific. She says she was single during the making of the film, as she is now, and I wondered if she would have made the film had she been in a relationship.

I know personally I don't want to see my new boyfriend's holiday pictures. I don't want to see my boyfriend doing that with anyone else, ever.

I know it's happened, I'm sure he's had sex before me, but I don't want to think about it or know. In any case, she has no regrets, and she is very proud of her performance and the film itself.

She's also pleased to have a foothold in acting, though she maintains that she may want to work in other fields.

I'm going to wait for something that I know that I can do well. The next film I do I'm sure I'll be buttoned up to the nose.

As yet, though, there is no next film. Last year she said that the proof of her achievement as an actress lay in the fact that Winterbottom had offered her a role in his next film.

It turned out to be a premature announcement. But I don't doubt if something comes up that he thinks I'd be suited to he'd cast me.

He was going to,' she adds with mock desperation, making fun of the misconception that she could seem naive.

It seems likely that both Winterbottom and Stilley acted in good faith, and even more likely that he will find it far easier than she to move on, in terms of public image at least.

Stilley was raised in a strict Baptist household in America's Bible Belt. She put herself through high school working as a telemarketer and a lifeguard until she graduated a year early from Conway High School with Honors in Art and History.

She was voted "The Funniest" in the class of Stilley has been a long time supporter of hands on charitable acts.

In high school she volunteered at local nursing homes feeding and reading to the elderly. She left the rural South as a teenager to begin working briefly as a model in Milan with Elite Model Management in February , before moving to London by the end of the year, at the age of 18, to pursue her acting career.

Her first acting job was to star as Lisa, the lead actress in the controversial British film 9 Songs , directed by Michael Winterbottom.

Her interest in art as a platform led to her decision to accept the role. According to the Guardian , 9 Songs was the most sexually explicit mainstream film to date, largely because it includes several scenes of real sexual acts between Stilley and her co-star, actor Kieran O'Brien.

Her role is highly unusual in that she had unsimulated and very graphic sex with O'Brien, including genital fondling , female masturbation , with and without a vibrator , penetrative vaginal sex , cunnilingus , footjob and fellatio.

During a scene in which Stilley stimulates his penis with her hand after performing fellatio on him, he became the only mainstream British actor who has been shown ejaculating in a mainstream UK-produced feature.

Stilley asked that director Michael Winterbottom refer to her simply by her character's name in interviews about the film at the beginning to protect the artistic integrity of the film.

Her second credit solidified her standing in Great Britain 's indie film scene, when she starred in the satirical comedy Nathan Barley directed by Chris Morris for British television.

In she travelled on her own to Johannesburg and the greater Gauteng province in South Africa to teach drama in some of the country's most challenged communities for three months.

She has never publicized her charitable contributions. In Stilley signed on to play Lady Furness in Madonna's film WE , but renounced the role because of artistic differences.

Stilley lived in Mayfair , London [10] until

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Malagrel says:

welchen Charakter der Arbeit sehend

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